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Tomorrow Perhaps the Future: Writers, Outsiders, and the Spanish Civil War (Hardcover)
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An extraordinary account of the women artists and activists whose determination to live—and to create—with courage and conviction took them as far as the Spanish Civil War
“Now, as certainly as never before, we are determined or compelled, to take sides.” —Nancy Cunard
An attempted insurrection, a country divided, a democracy threatened. It was the Spanish Civil War of 1936, surprisingly, that Sarah Watling found herself drawn to when confounded by the tumultuous politics of our present day. This was a conflict that galvanized tens of thousands of volunteers from around the world to join the fight. For them, the choice seemed clear: either you were for fascism or you were against it.
Seeking to understand how they knew that the moment to act had arrived, Watling sifts through archives for lost journals, letters, and manifestos, discovering a trove of work by writers and outsiders who had often been relegated to the shadows of famous men like Ernest Hemingway and George Orwell. She encounters the rookie journalist Martha Gellhorn coming into her own in Spain and the radical writer Josephine Herbst questioning her political allegiances. She finds the novelist Sylvia Townsend Warner embracing a freedom in Barcelona that was impossible for queer women back at home in England and, by contrast, Virginia Woolf struggling to keep the war out of her life, honing her intellectual position as she did so. She tracks down the stories of Gerda Taro, a Jewish photographer whose work had long been misattributed, and Salaria Kea, a nurse from Harlem who saw the war as a chance to combat the prejudice she experienced as a woman of color. Here were individuals seizing an opportunity to oppose the forces that frightened them.
From a variety of backgrounds and beliefs, these women saw history coming, and they went out to meet it. Yet the reality was far from simple. When does tolerance become apathy? Where is the line between solidarity and appropriation? Is writing about the revolution the same as actively participating in it? With profound, personal insight, Watling reveals that their answers are as relevant today as they were then.
About the Author
SARAH WATLING is the author of The Olivier Sisters, for which she was awarded the Tony Lothian Prize. She holds degrees from the University of Cambridge and the University of London and was a 2020 Silvers Grant recipient.
"A brilliant, impassioned, and much-needed tribute to the women who used their art to fight fascism during the Spanish Civil War. Watling's research is meticulous, and her prose sings on every page. Tomorrow Perhaps the Future is extraordinary and captivating.”
—Heather Clark, author of Pulitzer Prize–finalist Red Comet: The Short Life and Blazing Art of Sylvia Plath
"Provocative, compelling narratives of women on the front lines of fighting fascism, making history nearly a century ago—yet relegated to its dustbin until now. Tomorrow Perhaps the Future is a powerful, moving cautionary tale for today, how individual acts of bravery may yield more bitter than sweet unless sustained by broad movements for democracy and systemic change."
—Helen Zia, author of Last Boat Out of Shanghai: The Epic Story of the Chinese Who Fled Mao’s Revolution
"Sarah Watling has brought together a remarkable group of personalities and her writing brings the Spanish Civil War to freshly vivid life. Best of all, she allows us to understand the sense of crisis and confusion felt by these women, who saw the war as the turning point of their age and tried to respond to it in ways that were useful, possible, and necessary to them. By pointing out the correspondence between their turbulent times and our current world crises, she makes us feel their urgency as our own.”
—Judith Mackrell, author of The Correspondents: Six Women Writers on the Front Lines of World War II
"In this vital new feminist history of the Spanish Civil War, Sarah Watling assembles an unforgettable cast of intellectuals and activists, all of them outsiders, for whom Spain represented a fight for democracy itself, one in which no neutral ground could remain. Her nuanced account celebrates the conviction and commitment of remarkable women like Martha Gellhorn, Nancy Cunard, and Virginia Woolf, while remaining attuned to the danger and anguish of taking a side and taking a stand. Shadowed by the resurgence of fascism in our own time, Tomorrow Perhaps the Future is history that hums with the urgency of now."
—Joanna Scutts, author of Hotbed: Bohemian Greenwich Village and the Secret Club that Sparked Modern Feminism
"A fascinating and compellingly readable book."
—Paul Preston, author of The Spanish Civil War: Reaction, Revolution, and Revenge
“Tomorrow Perhaps the Future offers an intimate and nuanced exploration of what animated and sustained a group of prominent foreigners who took sides in the mortal ideological struggle against fascism that was the Spanish Civil War. Sarah Watling tells of the harrowing battles, the destruction, and the death, but also of the thinking of her subjects, their passions and convictions, their bravery and ambivalence."
—Brooke Kroeger, author of Undaunted: How Women Changed American Journalism
“In this brilliantly conceived study, historian Watling spotlights international writers, artists, and activists who opposed the fascist takeover of Spain in the 1930s, arguing that the conflict drew in individuals who conceived of themselves as outside the mainstream… Digging deep into the archives to resurface overlooked stories, Watling skillfully traces the motivations that led so many different people to make the extraordinary decision to fight fascism. The result is both an essential take on the Spanish Civil War and a stirring reflection on personal responsibilities in times of crisis.
—Publishers Weekly, starred
“British historian Watling… illuminates a varied group of women who devoted their talents and passion—and, in some cases, gave their lives—to telling the world about what was happening during the Spanish Civil War… Watling delves into the motivations that drew these women to Spain and how their experiences there were transformative. This focus, especially on [Gerda] Taro, [Salaria] Kea, and [Nan] Green, whose contributions have been underreported or misappropriated, adds greatly not only to our understanding of women in the Spanish Civil War but also to our sense of women as full participants in history. This book belongs in all library collections next to Adam Hochschild’s Spain in Our Hearts.”
"Drawing on poems, memoirs, stories, and essays, Watling, author of The Olivier Sisters, examines women artists, writers, and activists for whom the Spanish Civil War, which began in July 1936, was 'a provocation that demanded an answer.'.. Serious, thoughtful... A well-informed group biography of bold activists."
"Watling's narrative, inserting vivid glimpses of the conflict to situate her shuffling of a deck of characters who themselves embodied complex and evolving ideas, is expertly balanced... Fascinating company... As we ponder our choices and risks in the crises of today, we may see no cause - even that of Ukraine - as synethesized and as romantic as Spain. We may fear 'tomorrow, perhaps no future.' This book is useful for thinking about it all."
—Lorna Scott Fox, Times Literary Supplement
"Watling's study marks her determination to write women into the history books... Interesting and colourful... [Watling] readily admits to ‘a weakness for people with an instinct for rebellion'; but while her portrayals are sympathetic, they are not uncritical... She has researched her subjects carefully, and this is a serious, scholarly work, which also brings her group of writers, poets and activists vividly to life. As she explains: ‘I wanted to know what it had meant to take a side, and how it had been done, and I wanted to know what writing had to do with it.' Many–and not just writers–will feel that these are questions well worth asking."
"In her fascinating book, Sarah Watling brings alive with great vividness a small cast of disparate characters who travelled to Spain during the Civil War, risking great danger... Naively idealistic, they simply wanted to make the world a better place. It's the slow crushing of that idealism that makes this book such an affecting and sometimes tough read... Sarah Watling brings all these passionate characters together with great aplomb."
—Ysenda Maxtone Graham, Daily Mail
"From George Orwell and Ernest Hemingway to Laurie Lee and Arthur Koestler, the names of many of the male writers who took a stand during the Spanish Civil War are familiar ones. Less well known are the women who also saw the conflict as a defining moment for both civilisation and their own lives. In her engrossing and impressive book, Sarah Watling looks at some of those women who went to war, not just to fight fascism or scratch the itch of adventure but also to show what women could do."
—Michael Prodger, The New Statesmen
"It is the women, not the boys, about whom Sarah Watling writes here: the reporters, photographers and authors for whom the Spanish conflict became... the most important event ‘in the life of the world’, a ghastly, menacing foreshadowing of the war to come... What drew Watling to these women was that they chose not to be dispassionate but to take sides, rejecting what Gellhorn dismissed as ‘all this objectivity shit’ in their support for the Republicans... Group biographies are notoriously hard to write. But Watling knits together with considerable skill the details of her characters’ lives and adventures in Spain... Perceptive."
—Caroline Moorehead, Literary Review
"Illuminating... Sarah Watling’s new book... yields much fascinating and previously obscured material that she handles with a keen awareness of nuance and irony. Watling has a sensitive understanding of the motives of those who volunteered their services and risked their lives... Resonates with so many terrible conflicts today and reminds us of the supreme importance of bearing witness to the truth."
—Rupert Christiansen, The Telegraph
"Exhilarating... Sarah Watling follows a handful of brilliant intellectuals as they wrestle with the nature of duty in a morally complicated world."
—Kathryn Hughes, The Daily Mail